This year’s stand is inspired by the travelling tribes: Nomadism animates a timeworn style that is faded by age, crafted by hand and coloured by beautiful dyes. Our relationship with the earth is becoming a source of inspiration and reflection for the youngest designers and decorators, giving shape to more archaic design and more tribal interiors. Loom-nate certification study guide pdf mohair rugs and mats will cover the floor, raised slightly by scattered cushions, thin mattresses and small ottomans.

Heavy textiles will become tent canopies and looser weaves draped as billowing curtains. Karoo Looms has produced a selection of striped rugs to reflect the nomadic theme and cover the stand floor, added to by other mohair rugs from Sally Arnold and Elsa Barnard. These items will all be housed in a wooden tent-construction inspired by nomadic architecture and covered in curtain fabrics and other interior textiles designed by Coral Stephens and woven in Swaziland. Bright accents such as Jaffa orange, Persian saffron, mustard green and turquoise blue will show how intense mohair’s saturation can become, contrasted by jet black and slate grey. Humble, versatile and honest in terms of its durability and character, mohair is a sturdy and reliable fibre with admirable insulation and sustainable qualities. At Schellens, there’s no end to the possibilities for creating exclusive and original fabrics. The company’s distinctive range of textiles demonstrates the potential of the mill yet represents only a fraction of its capabilities.

Schellens thus continues to develop new fabrics independently, as a source of inspiration for its clients, and in partnership with them. As the only European mill that dyes and weaves mohair velvets under one roof, Schellens’ velvets are unique and remarkable — the natural silky sheen of this regal fibre makes them a favoured choice for upholstery in luxury homes, private aircraft, touring buses, passenger vehicles, yachts and cruise ships. Schellens approaches the market for natural fibre weaves with insight and ingenuity. In 2012, it has invited Lidewij Edelkoort to revive a production process called “gaufrage”, embossing its velvets with a hot cylinder walses in a range of ten motifs. Edelkoort has delved into an extensive archive of these copper cylinders — some dating back to the 1920s — all salvaged by Schellens from a Dutch factory just before it was about to be discarded. According to some anthropological studies, the mohair carpets made by indigenous Anatolian and Kurdish tribes are among the most primitive knotted weaves.

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Mohair fleece — with its exceptional thermal properties — is knotted onto a hand-woven cloth, to create silky soft carpet-bedding useful to nomads during their summer migrations to high pastures. A millennial artform, Filikli designs are based on ancient geometric symbols of protection. Placed on the floor, or hung on the wall, these rugs with their characteristically brilliant colours give a powerful three-dimensional effect. Altai owns one of the most important collections of antique Filiklis in the world, pieces that, when hung, become extraordinary works of art. In the 1990s, Altai also set up a workshop in Kurdistan to create new rugs created using age-old traditional techniques, and thus keeping nomadic traditions alive. These reinterpreted pieces are available in the natural colours of the Anatolian landscape, or in the vibrant colours characteristic of nomadic Filikli. Edelkoort’s creative teams, Collectif France Tricot in Paris and Studio Chevalier-Masson from Belgium.

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